![]() ![]() Not to any ProRes flavour, unless you wish to edit your footage with a compatible NLE like FCPX, Premiere and a few others. What ProRes is or isn't has little to do with the software and hardware you're using. What you are asking in the header and what you're asking in the actual OP are two different things, however. The ProRes codecs are not intended to be the final delivery and distribution format, but the final product edited in any of the ProRes flavours can then be converted and exported in a variety of delivery formats, like H264. Those are two distinctly different goals. They do provide bunch of info, including white papers and other such stuff.īut in a simplified and short form, Apple ProRes is a set of video formats optimised for easier editing, whereas codecs like H264 and H265 are highly compressed video formats optimised for easier delivery and distribution, rather than editing. If you wish to understand them better, you might want to go to the Apple website for more info. ProRes is a bunch of proprietary codecs provided by Apple. Thank you for this input, I will play with this and see how it goes!! I appreciate the time you took to write this. I have a very good computer setup but 4k footage even stutters sometimes when I edit it. I had no idea, so converting to Prores will uncompress(?) the originally compressed file, allowing for easier editing? This is very interesting. The editing and rendering process would most likely go smoother for you. But if those are not issues for you, then you could certainly convert before working on the video with your software. The downsides to doing a conversion are simply the time the conversion process takes, and the extra disk storage the new file will use. But the image quality will not be any different. So actually editing the video and rendering files from it will no doubt go faster, in comparison to editing the original file. Now ProRes is not highly compressed like the original file. If you have recorded the video internally in the camera, then the video is 8 bit 4.2.0.Īnd nothing will change that, including converting the file to another format. If the software you are using can work natively with your files, then there would be no benefit at all in terms of image quality. ![]() I would greatly appreciate any input from those who are willing to teach. However, on Windows computers, Premiere Pro is the only mainstream program that can export ProRes files.My question is: Now that I no longer have to convert my files to play them (since I use PowerDirector which view these files natively), would it still benefit me to convert the files to Prores 444 before color correcting/ color grading?ĭoes being in Prores 444 afford me post-processing options that a straight import to my color grading software does not? It has since been widely adopted and ProRes can be played back and edited on both Mac and PC-based editing systems. Windows or Mac?Īpple developed both ProRes and ProRes RAW for use with Final Cut Pro on Mac computers. The list of supported cameras is expanding and includes cameras from Canon, Panasonic, Sony and Fuji. This must be combined with a camera that can output a compatible RAW signal. Working with ProRes RAW, therefore, requires an external recorder such as those made by Atomos. ![]() However, at the time of writing, only the DJI Zenmuse X7 Camera can record ProRes RAW internally. ![]() ProRes RAW is a codec for recording camera footage. Sony, Canon and Blackmagic now make cameras that can record ProRes internally. The Arri Alexa was the first camera to be able to record in ProRes recorder. However inter-frame codecs are less suited to editing, where the need to be able to cut on every frame is important.īefore long, camera manufacturers recognized the benefits of ProRes as an acquisition format. For the intervening frames, only the differences from the complete frames are saved. Inter-frame encoding reduces the data rate by saving a small number of complete video frames. For more information on codecs check out the Videomaker guide What is a CODECĪt the time, the high data rate required by HD video meant that file formats used inter-frame compression. The term codec simply comes from the shortening of two words: coder and decoder (co/dec). ProRes is a video file format, or “codec”, developed by Apple in 2007. This guide to ProRes and ProRes RAW will explain how the file formats work, the benefits they offer and when best to use them. If you aren’t sure what any of that means, don’t worry. ProRes RAW is the relatively new kid on the block and adds the power of RAW video to the benefits of the ProRes codec. It combines extremely high image quality with small file sizes for efficient playback. ProRes is one of the most well-known and widely used video file formats. ![]()
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